Anti Alias is the ongoing music and print project of Danny Rosenberg, a Boston-based artist working across songwriting, design, and systems of distribution.
The work draws from the visual and material language of promotion—posters, tapes, barcodes—and repositions it as form. What looks like marketing becomes the work itself: legible, collectible, and occasionally alive.
Installations incorporate physical media, custom displays, a vintage vending machine, looping video on CRT monitors, and songs accessed through interactive formats. Generative tools (including AI) are used throughout—not as the focus, but to scale the technical reach of a solo artist to that of a record label’s marketing and production teams.
Contact: antialiasofficial@gmail.com | @antialiasofficial | antialias.my.id
For Promotional Use Only is an interactive installation staged as a release campaign. Each of the 9 posters corresponds to a track, with a cassette box and wall-mounted sticker marking the point of access.
Scan a code. Tap a tag. Follow a barcode. Participation becomes the interface. What looks like music marketing is, in fact, the medium.
The installation includes a collage made from layered promotional posters and a vintage vending machine that dispenses limited-edition merchandise—stickers, trading cards, and other small-run materials.
Designed for the no one. Built to be left behind.
